8/27/2023 0 Comments Federico fellini 8 1 2 analysis![]() ![]() And yet, one must question the possibilities of Parker Tyler when relying solely on his ideas of the dreamlike state. This highly visual masterpiece proves an excellent exemplar for mythic analysis, as both form and content combine with an overabundance of Freudian symbols and concepts of neurosis. Among such texts is Frederico Fellini’s 8 ½. Combining Jungian psychoanalysis and his ideas on the collective unconscious 2 and re-occurring elements of myths and archetypes, Parker Tyler elucidates certain film texts that follow predictable Jungian patterns. Parker Tyler’s contribution to film theory follows the gravity of these first ideas and finds its applicability more immediately. Many film theorists have elaborated on the notion that the arena of the film theatre acts as an enabling port to the subconscious, from analogies to Plato’s theory of forms as mentioned in his cave parallel to the absurd adaptation of Bertwin Lewin’s hypothesis that the motion picture screen is in reality a white maternal breast-display 1. One reason that stories and films are such a popular component of our culture lies in the fact that they contain mythic story-telling patterns that enhance our ability to “suspend disbelief” and engage fully into a dreamlike fantasy world. ![]()
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